My work lives at the intersection of organic forms grounded in the natural world, and digital 3D algorithmic design. As an engineer turned artist, I think of my work as mathematics in porcelain, celebrating the connection between art and science — explorations of the mysterious language of form.

Perception, balance, and translucency are key elements that permeate my work. My current artistic practice is the design and creation of paper-thin slipcast porcelain objects.