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January 31 - May 10, 2020:
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Vessels (#1030, 1080): unglazed porcelain, soluble metals.
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Liza and I were invited to show our work in the group exhibit Clay with a capital K at the Keramiekcentrum Tiendschuur Tegelen Ceramics Museum in the Netherlands.
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The curator, Sacha Odenhoven, selected artists from those who have appeared in the online Dutch ceramics magazine De kleine K over the past 5 years. This opportunity comes to us thanks to the profile article on our work that Mels Boom authored last January, in Issue #37.
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I am honored to show with a stellar group of artists: Ann van Hoey (BE), Barbara Hast (DE), Carolyn Genders (GB), Fabienne Withofs (BE), Guy van Leemput (BE), Jogjin Park (GB), Joris Link (NL), Judit Varga (HU), Lisa Biris (NL), Liza Riddle (US), Maria Wojdat (GB), Paula Bastiaansen (NL), Stéphanie Bertholon (FR), Wally Asselberghs (BE), & Willy van Bussel (NL).
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We will be at the opening in Tegelen, Netherlands, on January 31st @4pm, hope to see you there...
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Balancing Cylinders (#876, 908): unglazed porcelain, soluble metals.
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February 13 - April 11, 2020:
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This is the 12th iteration of the annual juried ceramics competition at the Archie Bray Foundation for the Ceramic Arts. This year the juror is Chis Staley.
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Opening Reception will be held on Friday, February 13, 6–8 pm, in Helena, Montana.
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Relational Vessels (#881, 1013, 998): unglazed porcelain, soluble metals.
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October 2 - November, 2019:
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Every two years, over the course of a month, Cluj Ceramics Biennale enables a synergistic series of cultural events in several cities: gallery exhibitions, pottery fairs, film projections, workshops, conferences, public round tables and other smaller events, all gravitating around the main international competition for which a renowned jury selects more than a hundred artists from around the world.
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The artist reception and award ceremony was held on Wednesday October 2, in Cluj-Napoca, Romania.
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Entry for Blanc de Chine: unglazed porcelain, soluble metals.
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  Exhibition photos courtesy of ICAA.
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What a tremendous honor to be shortlisted for this prestigious international porcelain competition, and to participate in the finalist exhibition in China.
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The Blanc de Chine exhibition in Beijing includes the first 2017 Chinese White Art Ceramics International Grand Prix, finalist works of the 2019 Blanc de Chine International Ceramic Art Award, and some outstanding works from the International Residence Project.
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The exhibition is in the 798 Art Space, 2 Jiuxianqiao Road, Chaoyang District, Beijing, China.
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Concave Form (#20): opalescent, translucent, and reactive glass.
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August 9 - September 21, 2019:
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SiO2 is a juried exhibition featuring kilnformed glass works by sixteen San Francisco Bay Area artists. The Juror is Janet Hiebert, instructor at Studio One Art Center and The Crucible in Oakland, CA.
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Join us for the artist reception on Saturday, August 10th, 2019, from 2-4pm - 473 25th St., Oakland, CA 94612.
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Vessel (#859): unglazed porcelain, soluble metals.
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4-person show featuring work by Liza Riddle, Mark Goudy, Tom Jasczcak, and Birdie Boone. I will be showing a new body of translucent porcelain work.
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All work will be available in person starting March 8, and also online here. Join us for the artist reception on Saturday, March 9, 2019, from 5-7pm.
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TRAX is located at 1812 5th Street, Berkeley, CA, and is open Friday, Saturday, and Sunday from 12 - 5:30pm.
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"Experience Objects" (#725, #731, #696): earthenware, soluble metals.
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The Clay Studio National is a biannual juried exhibition showcasing contemporary ceramic art being made in the United States now. The exhibition will highlight a diverse range of work, from functional to sculptural, and from traditional production techniques to cutting edge manufacturing technology. Esteemed juror Beth Ann Gerstein is the Executive Director of the American Museum of Ceramic Art.
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The Clay Studio is located at 139 N 2nd St, Philadelphia, Pennsylvania, USA.
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Martinsions Award entry: Vessel (#734): earthenware, soluble metals.
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July 6- September 9, 2018:
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Very happy to be selected to participate in the Latvian International Ceramics Biennale exhibition, part of the celebration for the centenary of the Latvian state. This competition is dedicated to the Latvian ceramist Peteris Martinsons. One hundred works were selected from 395 entries from 58 countries...
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Relational Forms (#10 & #12): kilnformed translucent and reactive glass.
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June 23 - September 8, 2018:
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I am delighted and honored to be invited as a finalist in Bullseye Projects tenth biennial competition: Emerge 2018, highlighting emerging artists in the world of kiln-formed glass. Looking forward to my first glass exhibition!
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Opening: June 23, 2018, at Bullseye Projects, Portland, Oregon, USA.
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 Le Don Du Fel.
"La Nouvelle Vague Californienne", Galerie du Don.
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"Mark and Liza are internationally recognized as pioneers in the utilization of metallic soluble salts, a technique relatively unexplored until now. Their creations are clad in exquisite surfaces of delicate and rare shades of color.
Liza, inspired by the parched earth of California, erects totemic sculptures exploring the unexpected poetry of the arid ground, while Mark presents a whole gallery of highly tactile forms, sometimes closed, sometimes open, but always with intriguing and seductive surfaces."
— Galerie du Don
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In the spring of 2018 Liza Riddle and I had an exhibition featuring 80 of our works at the beautiful and ethereal Le Don du Fel in south-central France! The gallery located near the village of le Fel in the department of Aveyron, Midi-Pyrénées,France. Le Don du Fel offers "two different panoramas, one on the outstanding landscape of the Lot Valley, and the other on the best of contemporary ceramics."
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Equipoise Vessels at the Keramikmuseum Westerwald.
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September 23, 2016 - February, 2017:
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"My gaze repeatedly returns to the soft, balloon-like forms. The pastel-coloured shapes
seem to float. With the pale bubbles on the
surface spreading over the entire form with
slight variations in size and colour outline,
they have a magical attraction. The surface
is delicate and light-hearted but in their
form with its innate, mysterious power, they
seem to breathe.
There is the small, dark
aperture, that only looks like one from a
distance. It attracts and disconcerts. From
close up, the aperture becomes a plane. The
black of the interior is so complete that the
gaze is unable to penetrate the depths of the
vessel, almost as if what is encompassed
by the interior space were larger than what
can be grasped by the naked eye. Only by
testing with a finger does the space open up
inwards, a fascinating moment of astonishment. Mark Goudy’s vessels impress with
their powerful, warm presence. "
— Thomas Hirschler
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Relational Forms (#482 & #490).
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July 15, 2016 - January 2, 2017:
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I was honored to be selected to participate in the 2016 Taiwan Ceramics Biennale competition!
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"The construction of the New Taipei City Yingge Ceramics Museum was first proposed in 1988 and opened to the public on November 2000. It has become the leading county museum in Taiwan and the first professional museum wholly dedicated to ceramics. The first modern ceramics museum in the nation combines the essence of the wisdom of the industries, government, and scholars. It raises the signal that the fire in Yingge's kilns will never be extinguished."
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