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January 31 - May 10, 2020:
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Vessels (#1042,1041): unglazed porcelain, soluble metals.
Relational Forms (#878,935): unglazed porcelain, soluble metals.
Relational Vessels (#881,1013,998): unglazed porcelain, soluble metals.
Blanc de Chine entry "relational vessels": unglazed porcelain, soluble metals.
Concave Form (#20): opalescent, translucent, and reactive glass.
"Tracing the Sky": translucent porcelain, soluble metal salts.
Vessel (#859): unglazed porcelain, soluble metal salts.
"Experience Objects" (#725, #731, #696): earthenware, soluble metal salts.
Martinsions Award entry: Vessel (#734): earthenware, soluble metal salts.
Relational Forms (#10 & #12): kilnformed translucent and reactive glass.
 Le Don Du Fel.
"La Nouvelle Vague Californienne", Galerie du Don.
Equipoise Vessels at the Keramikmuseum Westerwald.
Relational Forms (#482 & #490).
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Liza and I were invited to show our work in the group exhibit Clay with a capital K at the Keramiekcentrum Tiendschuur Tegelen Ceramics Museum in the Netherlands next January.
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The curator, Sacha Odenhoven, selected artists from those who have appeared in the online Dutch ceramics magazine De kleine K. This opportunity comes to us thanks to the profile article on our work that Mels Boom authored last January, in Issue #37.
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We are honored to show with a stellar group of artists: Ann van Hoey, Jogjin Park, Guy van Leemput, Judit Varga, Pippin Drysdale, Fabienne Withofs, Carolyn Genders, Barbara Hast, Grégoire Lemaire, Lisa Biris, Wally Asselberghs, Stephanie Bertholon, and Joris Link.
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We will be at the opening in Tegelen on January 31st, hope to see you there...
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August 22 - November 21, 2019:
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This is the 44th iteration of the juried competition of printmaking, ink drawing, ceramic ware, clay sculpture, mixed media and installation, utilizing any variety of “ink” or “clay” (or combination) as material. The competition results in its highly-regarded exhibition sponsored by the W. Keith & Janet Kellogg University Art Gallery of CalPoly University, Pomona.
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Reception and award ceremony will be held on Saturday Sept 7, 2-5pm, California State Polytechnic University, 3801 West Temple Ave., Bldg. 35A , Pomona, CA 91768.
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October 2 - November, 2019:
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Every two years, over the course of a month, Cluj Ceramics Biennale enables a synergistic series of cultural events in several cities: gallery exhibitions, pottery fairs, film projections, workshops, conferences, public round tables and other smaller events, all gravitating around the main international competition for which a renowned jury selects more than a hundred artists from around the world.
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The artist reception and award ceremony will be held on Wednesday October 2, in Cluj-Napoca, Romania. Details tbd...
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  Exhibition photos courtesy of ICAA.
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What a tremendous honor to be shortlisted for this prestigious international porcelain competition, and to participate in the finalist exhibition in China.
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The Blanc de Chine exhibition in Beijing includes the first 2017 Chinese White Art Ceramics International Grand Prix, finalist works of the 2019 Blanc de Chine International Ceramic Art Award, and some outstanding works from the International Residence Project.
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The exhibition is in the 798 Art Space, 2 Jiuxianqiao Road, Chaoyang District, Beijing, China.
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August 9 - September 21, 2019:
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SiO2 is a juried exhibition featuring kilnformed glass works by sixteen San Francisco Bay Area artists. The Juror is Janet Hiebert, instructor at Studio One Art Center and The Crucible in Oakland, CA.
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Join us for the artist reception on Saturday, August 10th, 2019, from 2-4pm - 473 25th St., Oakland, CA 94612.
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In conjunction with NCECA this year, the American Association of Woodturners has invited ceramic artists to join in with this exhibition of small works at the Gallery of Wood Art in Saint Paul.
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Invited artists include Liza Riddle, Mark Goudy, Kris Marubayashi, Patrick Kingshill, Andrea Leila Denecke, Andy Balmer, Greg White, Ginny Sims, Janel Jacobson, and others. The full program of exhibitions going on at NCECA this year can be found here.
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Join us for the artist reception from 5-9pm, Friday, March 23, 2019, at the Gallery of Wood Art - located at 222 Landmark Center, 75 5th Street West,
Saint Paul, MN 55102.
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4-person show featuring work by Liza Riddle, Mark Goudy, Tom Jasczcak, and Birdie Boone. I will be showing a new body of translucent porcelain work.
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All work will be available in person starting March 8, and also online here. Join us for the artist reception on Saturday, March 9, 2019, from 5-7pm.
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TRAX is located at 1812 5th Street, Berkeley, CA, and is open Friday, Saturday, and Sunday from 12 - 5:30pm.
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The Clay Studio National is a biannual juried exhibition showcasing contemporary ceramic art being made in the United States now. The exhibition will highlight a diverse range of work, from functional to sculptural, and from traditional production techniques to cutting edge manufacturing technology. Esteemed juror Beth Ann Gerstein is the Executive Director of the American Museum of Ceramic Art.
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The Clay Studio is located at 139 N 2nd St, Philadelphia, Pennsylvania, USA.
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July 6- September 9, 2018:
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Very happy to be selected to participate in the Latvian International Ceramics Biennale exhibition, part of the celebration for the centenary of the Latvian state. This competition is dedicated to the Latvian ceramist Peteris Martinsons. One hundred works were selected from 395 entries from 58 countries...
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June 23 - September 8, 2018:
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I am delighted and honored to be invited as a finalist in Bullseye Projects tenth biennial competition: Emerge 2018, highlighting emerging artists in the world of kiln-formed glass. Looking forward to my first glass exhibition!
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Opening: June 23, 2018, at Bullseye Projects, Portland, Oregon, USA.
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"Mark and Liza are internationally recognized as pioneers in the utilization of metallic soluble salts, a technique relatively unexplored until now. Their creations are clad in exquisite surfaces of delicate and rare shades of color.
Liza, inspired by the parched earth of California, erects totemic sculptures exploring the unexpected poetry of the arid ground, while Mark presents a whole gallery of highly tactile forms, sometimes closed, sometimes open, but always with intriguing and seductive surfaces."
— Galerie du Don
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This past spring Liza Riddle and I had an exhibition featuring 80 of our works at the beautiful and ethereal Le Don du Fel in south-central France! The gallery located near the village of le Fel in the department of Aveyron, Midi-Pyrénées,France. Le Don du Fel offers "two different panoramas, one on the outstanding landscape of the Lot Valley, and the other on the best of contemporary ceramics." |
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September 23, 2016 - February, 2017:
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"My gaze repeatedly returns to the soft, balloon-like forms. The pastel-coloured shapes
seem to float. With the pale bubbles on the
surface spreading over the entire form with
slight variations in size and colour outline,
they have a magical attraction. The surface
is delicate and light-hearted but in their
form with its innate, mysterious power, they
seem to breathe.
There is the small, dark
aperture, that only looks like one from a
distance. It attracts and disconcerts. From
close up, the aperture becomes a plane. The
black of the interior is so complete that the
gaze is unable to penetrate the depths of the
vessel, almost as if what is encompassed
by the interior space were larger than what
can be grasped by the naked eye. Only by
testing with a finger does the space open up
inwards, a fascinating moment of astonishment. Mark Goudy’s vessels impress with
their powerful, warm presence. "
— Thomas Hirschler
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July 15, 2016 - January 2, 2017:
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I am so honored to be selected to participate in the 2016 Taiwan Ceramics Biennale competition!
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"The construction of the New Taipei City Yingge Ceramics Museum was first proposed in 1988 and opened to the public on November 2000. It has become the leading county museum in Taiwan and the first professional museum wholly dedicated to ceramics. The first modern ceramics museum in the nation combines the essence of the wisdom of the industries, government, and scholars. It raises the signal that the fire in Yingge's kilns will never be extinguished."
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